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Henry Hayden, Sr. (1872-1934) was a contemporary of Baumgarten and Van Ness and was Charlotte’s first known black photographer. The son of David and Mary Hayden, he grew up in Charlotte and opened a studio in 1897 at 303 South Brevard Street.
Bearden displays crayon drawing sent by student.
October 12, 1980 - Bearden’s exhibit opens at the Mint.
The Reverend William R. Douglas, served as pastor of the Little Rock AME Zion Church and oversaw the construction of the church on Seventh Street that once served as the African American Cultural Center.
  Photo from an outside street view of the Red Circle Club in Charlotte, North Carolina.
Thomas Hanchett, Historian-in-Residence
Rosenwald Schools: remembering rural education. For Black History Month, Dr. Hanchett looks back at country schools -- both white and black -- with emphasis on the Rosenwald School movement which built more than 5000 African American schools across the South.
Thomas Hanchett, Historian-in-Residence
Tom Hanchett is the author of the definitive study, Sorting Out the New South City: Race, Class, and Urban Development in Charlotte, 1875-1975, now in a second edition (UNC Press, 2019).
Although he only lived in Charlotte until age 5, artist Romare Bearden (1914-1988) is still identified with the city of his birth.
In the same concise manner in which he had reported the movement of the 38th's Hospital from St. Cloud to Telergma, Dr.
An article in The Daily Charlotte Observer says that a four year old African-American child's body had been dug up, and several bodies had been buried there recently. Location is "100 yards north of the bridge over Sugar Creek" near Villa Heights.  
Thad Lincoln Tate (1865-1951) was one of Charlotte's earliest and most prominent African American businessmen. He came to Charlotte as a barber. In 1882, he opened his own shop, an enterprise that he would operate for 61 years.
This cemetery was near an early Mecklenburg County poor house. Some researchers believe the dead were victims of the Charlotte small pox epidemic in 1896. ON 4/16/1954, 28 African-Americans remains were moved by the Board of School Commissioners from this cemetery to Sec.
Stone in Oak Grove Baptist Cemetery
It most likely is the burial site of African-Americans, who were members of a church and/or a fraternal organization. Early members may have been associated with the Flint Hill Baptist Church and left to start their own church after the Civil War.
Artist's sketch of Thad L. Tate who was one of Charlotte's earliest and most prominent African American businessmen. He came to Charlotte as a barber. In 1882, he opened his own shop, an enterprise that he would operate for 61 years.
Acknowledgments This project would not have been possible without the assistance of the following individuals and organizations who generously loaned photographs or otherwise contributed to the project: Mrs. Kelly Alexander, Sr. Mildred P. Alridge
Volunteer Al Ricks copies photographs
Photographer Al Ricks volunteers his time to copy photographs for the project. Photo by Jane Johnson.  
Charles Waddell Chesnutt (1858-1932) was born during the era of slavery to parents who were free Blacks. He was the best known North Carolina author of African-American descent in his era. As a young man, he worked in his father's Fayetteville grocery store.
A 1967 graduate of the University of North Carolina at Chapel Hill, Melvin L. (Mel) Watt (1945-) earned the highest academic average in his class at UNC's Business School.
John Taylor Williams (1859-1924), the man who would become an educator, physician, businessman and diplomat, was born in Cumberland County, N.C., the son of free blacks during the time of slavery.
Pinewood Cemetery
This cemetery is owned by the City of Charlotte and was originally designated for African-Americans. In a 1893 report from the Good Samaritan Hospital, some of the patients who died that year were buried in Pinewood in the Hospital lot at the expense of the hospital.
In 1888, the Charlotte Chamber of Commerce produced a booklet of text and engraved illustrations: Sketches of Charlotte. Despite the artistic title, this was a work of promotion.